The brutalist federal buildings that have dominated Washington, D.C., for decades are finally being reconsidered, as the Department of Housing and Urban Development (HUD) announces its departure from its notorious headquarters. This move marks a significant shift in the architectural landscape of the nation’s capital, as federal agencies seek to leave behind these concrete behemoths for more aesthetically pleasing spaces.
HUD Secretary Scott Turner has been vocal about his disdain for the building, famously describing it as “the ugliest building in D.C.” His sentiments are echoed by past HUD secretaries, including Jack Kemp, who once referred to the structure as “10 floors of basement.” Meanwhile, the FBI is also planning to vacate its headquarters, which has been named the ugliest building in the United States by U.K. building materials retailer Buildworld.
The Shift Towards Aesthetic Architecture
The decision to move away from brutalist architecture aligns with the spirit of former President Donald Trump’s executive order, which encouraged federal buildings to “respect regional, traditional and classical architectural heritage” to enhance public spaces. This directive has sparked debate, with the American Institute of Architects expressing concerns that mandating architectural styles could stifle innovation and harm local communities.
Critics, such as The Nation magazine, argue that Trump’s initiative ties historical architecture to “Eurocentric white supremacy,” suggesting that the push for traditional aesthetics is politically motivated. Despite these criticisms, the move away from brutalism is gaining momentum as the drawbacks of these structures become more apparent.
The Legacy of Brutalism
Brutalism emerged in post-war Europe as a cost-effective solution for rebuilding, characterized by blocky, minimalist designs made from raw concrete, or “béton brut.” While the style was intended to symbolize modernity and efficiency, its aesthetic has often been described as harsh and uninviting.
In Washington, brutalist buildings were primarily constructed between the late 1960s and mid-1970s, a period marked by architectural missteps, including the construction of utilitarian stadiums and modernist churches. These structures, intended to reflect the “dignity, enterprise, vigor, and stability” of the American government, instead convey a sense of bureaucratic detachment.
“The brutalist buildings speak of a lumbering bureaucracy with no regard for the sensibilities or priorities of ordinary people,” noted architectural critic Rich Lowry.
Challenges of Maintaining Brutalist Structures
As these buildings age, their functional and aesthetic shortcomings become more pronounced. The FBI headquarters, for example, is reportedly falling apart, while the cost of maintaining the HUD building has become prohibitively expensive. Despite arguments that these structures are now part of America’s architectural heritage, many believe they detract from the city’s landscape and the well-being of its residents.
Preservationists argue for maintaining these buildings as historical artifacts, but critics, including Lowry, suggest that if any brutalist structure is to be preserved, it should serve as a museum dedicated to “idiotic fads that were indulged for much too long.”
Looking Forward: A New Architectural Era
The move away from brutalist architecture in Washington signifies a broader trend towards more human-centric and visually appealing designs. As federal agencies relocate to new spaces, the potential for revitalizing public areas with architecture that uplifts and inspires becomes a possibility.
While the debate over architectural styles continues, the shift away from brutalism in the nation’s capital reflects a desire for spaces that align with contemporary values and aesthetics. As these changes unfold, the future of Washington’s architectural identity remains a topic of interest and discussion.




